Everyone loves a good white gel pen.
C’mon, you know you do. You whip out your white pen at the end of every Copic Marker or colored pencil project, to add realistic highlights and shine to everything.
Hold on there…
But what else is there? What do artists use to color white?
A lot of Copic Marker colorers work that way- color - blend - finished. New area- color - blend - finished.
Hmmm... and a lot of you suffer from depth problems in your coloring.
Hmmm... have you ever thought those two things might be related?
We all enjoy those optical illusion color tests... "Which square is darker, the answer will amaze you!"
But how many of you have stopped to think about how these little quizzes affect your coloring?
Not many, if the variety of coloring projects posted on the internet are representative. I see a lot of pale and flat projects on Pinterest and Instagram.
"But wait a minute! I used a lot of really colorful markers and I followed all the tutorials for shading! Why do some objects in my image still look flat?"
It's because you're not going back to adjust your coloring at the end of the project
Nobody but you looks at your project and says "that's B32 right there!". In fact, even really experienced Copic professionals would be hard-pressed to identify the specific markers you've used in any one area.
That's because humans do not see color in an isolated way.
An area of B32 will look like a very light blue when it's sitting next to an area that's been colored with V09. That same B32 will look dark and cool if it's sitting next to an area colored with YR82. It's the exact same blue marker but it looks totally different because the human brain always judges color in context.
...of whether a color is light or dark, warm or cool. Value and temperature change based on what colors are nearby.
So the very first thing you color on a project- that first item, whether its the face or the cherry on an ice cream sundae... the very first thing you color goes down onto white paper. You judge how the coloring looks based on how it looks against stark white.
Meanwhile the last areas that you color are being judged against large areas of intensive marker-work. It's subtle, but the next time you color, take note of the changes in the way you use your markers from start to finish. People tend to color darker and shade more as the project progresses. That's because you're evaluating these newer areas based on the colors that are already on the paper- you are not making decisions based on white anymore.
But your viewers can't tell by looking, which areas you colored first and which areas came last. All we see are inconsistent color values across your project, with zones that are noticeably lighter, washed out, or lacking depth.
This is why there are so many terrible Copic recipes on the internet for skin. Colorers tend to color the skin first which means that against the white paper, YR000 looks like a perfectly reasonable color. But once you've added vibrant hair, a bright background, and beautiful clothing colors... well, that character now looks as if they just got off a rollercoaster and are about to loose their lunch all over the sidewalk. YR000 only looks dark compared to white. Against real color, YR000 is deathly pale.
It's rather easy. In fact, the fix to this problem is so stupid-simple that I'm amazed that it's rare to see instructors or tutorials mention it.
It is absolutely essential to go back and adjust your coloring!
After you've finished laying in the color on the very last item in the image, you need to re-evaluate all the areas that you colored first.
Are all your objects in the image still generally dark enough?
Did you loose some of the sense of depth because the shade is now too light?
Are the temperatures still correct?
Have recent additions led you to an image that feels temperature imbalanced because the palette skews warm or cool?
Have you over highlighted the project?
Now I know. Some of you are groaning.
You work hard to get blends nice and smooth. Once you get them silky and flawless, the last thing you want to do is go back and mess with them.
But if you want to take your coloring to the next level, if you want to amp up the realism in your projects and to get your depth and dimension feeling natural... you have to learn to ride the teeter totter.
If you add something dark, go back and adjust your lights. If you add something light, go back and adjust your darks.
It's a matter of balance.
Good coloring involves constant evaluation and adjustments. It's a process, not a do it once and you're done forever kind of thing.
SORRY, MARKER PAINTING FOUNDATIONS WAS RETIRED AFTER RUNNING FOR 10 YEARS. SEE CLASSES TAB ABOVE FOR A CURRENT SELECTION.
Food illustrations are pretty trendy on the internet now... maybe we're all looking for a little calorie free comfort food?
This time, we'll be studying our photo reference to color white frosting accurately. White isn't white, so we'll discuss my philosophy behind choosing colors for white food (as opposed to coloring non-food white items).
Join us for art based coloring lessons. You'll love the students and the challenge!
Remember When Scrapbooking in Macomb Township, Michigan. Seats are limited so call to RSVP
Lesson: Food & Photo Realism
Image: "Christmas Cake" by Vanilla Arts Co.*
* Yes, I know it's a plum pudding, not a cake. But when Americans think "pudding" we think boxes of instant custard like stuff.
